American Fashion Woman

Some people call Pauline Trig re the Coco Chanel of the United States, but she is more serious and more eccentric than Coco. Compared with Coco, who is good at social public relations, her EQ is not high enough.

The name of P auline Trig re is now worth collecting in the antique high fashion market. Her iconic designs are princess skirts, double faced coats and cloak overcoats. The shoulder length high collar evening dress of her 1972 series has a flutter pendulum and delicate decorative waist chain with transparent yarn. It will still be an excellent one this spring and summer. Winona Ryder once wore a Pauline Trig dress re black dress with a beige fine edged shawl at the Oscar prize presentation ceremony. It was quite a 1970s star in Hollywood. If you remember Patricia Neal, the actor of 2-E in Tiffany breakfast, the lattice cloak she wore is designed by Pauline Trig re.

Born in a Russian Jewish family in France, Pauline Trig re, who was 10 years old, would step on the sewing machine and play the role of tailor's parents. Trig re, a girl in her girlhood, had no money to buy clothes, so she made herself a tattoo. The collar is a three layer of Eugen yarn with red, blue and green tricolor edges. In 1971, she made a whim in the new series. After graduating from school, she found an internship tailor in Martial et Armand, Paris. However, her employer confessed privately that the girl had grasped everything he could teach at that time. After her apprenticeship, she was an independent designer, selling her manuscripts to the major fashion houses.

In later evaluation, someone called Pauline Trig re called Coco Chanel in the United States. If she continues to stay in Paris, such a development clue deserves attention. But with the 1937 Pauline Trig re escaping from Paris to New York with her husband, the trend of the story is completely different. PaulineTrig re really has something similar to Chanel, for example, she is also the first designer to use knitted, cotton and wool fabrics in the production of advanced women's clothing. In the United States, she can even be called the first person to dress in wool. For example, she and Coco Chanel are all fond of exaggerated large jewellery, but her hobbies are more focused on rings that are so amazing. Like Coco Chanel, she is the best interpreter of her own clothing, and is keen to guide customers to imitate their own clothes. The difference is also obvious. Pauline Trig re is more serious and more eccentric than Coco. She loved sea turtles and had collected more than 500. For this reason, she wore a large frame tortoise shell glasses all the year round. She spoke straight, and when the media asked her why she took the designer's road, a string of "divorce, two children's mother, to eat, to pay rent......" Such harsh remarks can smash the dream of a romantic designer in a journalist's heart. Compared with Coco, who is good at social public relations, her EQ is not high enough.

The name of Pauline Trig re has had the opportunity to be known by more channels, but not by her character. Her son said that the biggest problem with her mother was that everything was too tightly controlled. In those days, the brand had been authorized in many areas, from furniture, utensils to men's clothing, but Trig re had interfered with almost every authorized brand. Even if the shop is furnished to the shop assistants, she has to ask herself. For her, the brand name is created by itself, and it must not let outsiders destroy their reputation. But for those who empower the brand purely as a business, the Empress Dowager style always can't cooperate for one or two years.

Trig re, who first arrived in New York, initially worked for Ben Gerschel, then became assistant design manager for Hattie Carnegie. In 1942, Trig re decided to open her own fashion house, run by her brother Robert Trig re. Her first small exhibition, including 12 sets of clothes, was introduced to the Department Store buyers in the whole country in 1945. After that, Trig re became a respected New York brand and began to make garments. The design style of Trig re is fine and simple, and there is not much decoration. Early and even most of them use monochrome fabrics. But this simple does not mean that she is a conservative moderation designer. In fact, she is the first person to invite black models in New York. Dark fabrics and colorful lining are also her favorite techniques. The Coty Award for design has given her the award three times, and her figure in the hall of design celebrities of CFDA. The black singer Lena Horne, who spent a lot of time reviewing the Oscar awards this year, was a loyal customer of Trig re. The Duchess of Windsor and Hollywood star Claudette Colbert are also on her customer list.

As a successful American designer, Pauline Trig re has left a well-known case in the advertising industry. WWD boss John B. Fairchild was an important figure in that era. Through WWD's tireless reports on celebrities and fashion circles, he turned newspapers into a powerful social and commercial force. Under such power and oppression, designers who offend him often are blocked. In the list of designers who have had such treatment, besides Hubertde Givenchy, Giorgio Armani and Bill Blass, there are PaulinePauline Trig re. For three years, Pauline Trig re had not reported anything on WWD. In general, designers could only swallow it up and remain silent. Paudeline Trigere chose to resist. She published a full page advertisement in The NewYork Times magazine, with a letter for "dear John" as a copywriter. In the letter, Trigere asked, "after all these wonderful years, is this really the end?" Written in red ink on personal stationery, the advertisement is adorned with tortoise shell glasses and golden Turtle Pin. It is the turn of John B. Fairchild to remain silent. Trigere also wishes to let the public know that they are not silent because of the ban and prove themselves as a fashion strong woman.